HATE (Green), 2006 Print D*face
HATE (Green), 2006 Print D*face
HATE (Green), 2006 Print D*face
HATE (Green), 2006 Print D*face
HATE (Green), 2006 Print D*face
HATE (Green), 2006 Print D*face
HATE (Green), 2006 Print D*face
  • Load image into Gallery viewer, HATE (Green), 2006 Print D*face
  • Load image into Gallery viewer, HATE (Green), 2006 Print D*face
  • Load image into Gallery viewer, HATE (Green), 2006 Print D*face
  • Load image into Gallery viewer, HATE (Green), 2006 Print D*face
  • Load image into Gallery viewer, HATE (Green), 2006 Print D*face
  • Load image into Gallery viewer, HATE (Green), 2006 Print D*face
  • Load image into Gallery viewer, HATE (Green), 2006 Print D*face

HATE (Green), 2006

D*face

$1,250.00
$1,250.00
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D*face

Based on Robert Indiana's famous LOVE design. Published by renown (now defunct) art gallery Pictures on Walls (P.O.W.) - original publisher of Banksy's original prints. Comes with original purchase invoice from 2006!

Dimensions: 20 x 20 in

Medium: Hand-pulled screen print on fine art paper. Print has original P.O.W. blindstamp on lower left. 

Provenance: Hand-signed and numbered by artist. Comes with original purchase invoice from 2006. Includes Post Modern Vandal certificate of authenticity.

Edition: Limited Edition of 25 (#2/25)

Year: 2006

Condition: Excellent


ABOUT THE ARTIST

D*Face, aka Dean Stockton, is an English multimedia graffiti street artist who uses spray paint, stickers, posters, and stencils. D*Face is one of the most prolific contemporary urban artists of his generation. Working with a variety of mediums and techniques, he uses a family of dysfunctional characters to satirise and hold to ransom all that falls into their grasp.

His aim is to encourage the public not just to 'see', but to look at what surrounds them and their lives, reflecting our increasingly bizarre fascination for with celebrity, fame, consumerism and materialism, re-thinking, reworking and subverting imagery drawn from a refuge of decades of materialistic consumption, imagery appropriated from currency, advertising, comic books, these now iconic motifs, cultural figures and genres are subverted to comment upon our conspicuous society.