Sweet Sins (Brooklyn Edition) Print FAILE
Sweet Sins (Brooklyn Edition) Print FAILE
Sweet Sins (Brooklyn Edition) Print FAILE
Sweet Sins (Brooklyn Edition) Print FAILE
Sweet Sins (Brooklyn Edition) Print FAILE
Sweet Sins (Brooklyn Edition) Print FAILE
Sweet Sins (Brooklyn Edition) Print FAILE
  • Load image into Gallery viewer, Sweet Sins (Brooklyn Edition) Print FAILE
  • Load image into Gallery viewer, Sweet Sins (Brooklyn Edition) Print FAILE
  • Load image into Gallery viewer, Sweet Sins (Brooklyn Edition) Print FAILE
  • Load image into Gallery viewer, Sweet Sins (Brooklyn Edition) Print FAILE
  • Load image into Gallery viewer, Sweet Sins (Brooklyn Edition) Print FAILE
  • Load image into Gallery viewer, Sweet Sins (Brooklyn Edition) Print FAILE
  • Load image into Gallery viewer, Sweet Sins (Brooklyn Edition) Print FAILE

Sweet Sins (Brooklyn Edition)

Vendor

FAILE

Regular price
$1,107.74
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$1,107.74
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Dimensions: 28 x 40 inches (very large)

Medium: 27 color screen print on 310 gsm Coventry Rag (Deckled Edge)

Provenance: Hand-signed, dated, and numbered by artist. Comes with gallery Certificate of Authenticity.

Edition: Limited Edition of 500 (#28/500)

Year: 2015

Condition: Excellent

Notes: This is one of the classic FAILE wood block-style prints. There were 2 variations of this print released, this is the "Brooklyn Edition" which is substantially more sought after than the more affordable "150 Series" variant that was released at the same time. 

Frame is not included


ARTIST BIO


FAILE (Pronounced "fail") is a Brooklyn-based artistic collaboration between Patrick McNeil (b. 1975, Edmonton, CA) and Patrick Miller (b. 1976, Minneapolis, MN). Since its inception in 1999, FAILE is known for their pioneering use of wheatpasting and stenciling in the increasingly established arena of street art, and for their explorations of duality through a fragmented style of appropriation and collage. During this time, FAILE adapted its signature mass culture-driven iconography to a wide array of media, from wooden boxes and window pallets to more traditional canvas, prints, sculptures, stencils, multimedia installation, and prayer wheels. While FAILE's work is constructed from found visual imagery, and blurs the line between “high” and “low” culture, recent exhibitions demonstrate an emphasis on audience participation, a critique of consumerism, and the incorporation of religious media and architecture into their work.