Grim Reaper Japanese Flag (AP) Posters, Prints, & Visual Artwork D*face
Grim Reaper Japanese Flag (AP) Posters, Prints, & Visual Artwork D*face
Grim Reaper Japanese Flag (AP) Posters, Prints, & Visual Artwork D*face
Grim Reaper Japanese Flag (AP) Posters, Prints, & Visual Artwork D*face
Grim Reaper Japanese Flag (AP) Posters, Prints, & Visual Artwork D*face
Grim Reaper Japanese Flag (AP) Posters, Prints, & Visual Artwork D*face
Grim Reaper Japanese Flag (AP) Posters, Prints, & Visual Artwork D*face
  • Load image into Gallery viewer, Grim Reaper Japanese Flag (AP) Posters, Prints, & Visual Artwork D*face
  • Load image into Gallery viewer, Grim Reaper Japanese Flag (AP) Posters, Prints, & Visual Artwork D*face
  • Load image into Gallery viewer, Grim Reaper Japanese Flag (AP) Posters, Prints, & Visual Artwork D*face
  • Load image into Gallery viewer, Grim Reaper Japanese Flag (AP) Posters, Prints, & Visual Artwork D*face
  • Load image into Gallery viewer, Grim Reaper Japanese Flag (AP) Posters, Prints, & Visual Artwork D*face
  • Load image into Gallery viewer, Grim Reaper Japanese Flag (AP) Posters, Prints, & Visual Artwork D*face
  • Load image into Gallery viewer, Grim Reaper Japanese Flag (AP) Posters, Prints, & Visual Artwork D*face

Grim Reaper Japanese Flag (AP)

Vendor

D*face

Regular price
£703.34
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Dimensions: 9.5 x 12 in / 24 x 30 cm

Medium: Screenprint on fine art paper. Sold at the StolenSpace gallery in London.

Provenance: Hand-signed and numbered by artist. Comes with Post Modern Vandal COA.

Edition: Limited Edition of 19 APs (AP#12/19)

Year: 2020

Condition: Excellent


ABOUT THE ARTIST

D*Face, aka Dean Stockton, is an English multimedia graffiti street artist who uses spray paint, stickers, posters, and stencils. D*Face is one of the most prolific contemporary urban artists of his generation. Working with a variety of mediums and techniques, he uses a family of dysfunctional characters to satirise and hold to ransom all that falls into their grasp.

His aim is to encourage the public not just to 'see', but to look at what surrounds them and their lives, reflecting our increasingly bizarre fascination for with celebrity, fame, consumerism and materialism, re-thinking, reworking and subverting imagery drawn from a refuge of decades of materialistic consumption, imagery appropriated from currency, advertising, comic books, these now iconic motifs, cultural figures and genres are subverted to comment upon our conspicuous society.